The Parasitic invading forces that defeated Tartaria appropriated their palaces and red power stations worldwide and turned it into universities, museums, theaters, banks, prefectures, chambers of commerce, stock exchange, churches, high school, courts, banks, post offices, libraries, opera theaters, biomedical research institutes, casinos and tourist attraction, as well as cathedrals, synagogues and churches of artificially created religions.
All the architecture and technology of the superior civilization of Tartary was stolen and passed into the hands of the Invaders Parasites who created the current ignorant civilization. The buildings electromagnetic energy.
The Picts/Basques were the Tartarians
The Picts -Lords of the Rings - Set in Stone
The Romans(they werent real romans but crypto jews/crypto pharisees) called this pre-Celtic people
Pictii, or "Painted," although Claudius' words are proof that (as claimed by many historians), the ancient Picts actually tattooed their bodies with designs. To the non-Roman Celtic world of Scots and Irish and the many tribes of Belgic England and Wales they were known as "Cruithni" and for many centuries they represented the unbridled fury of a people who refused to be brought under the yoke of Rome or any foreign invader. Aberdeenshire was their heartland. Aberdeenshire, Banffshire, Moray and Kincardineshire are counties in North East Scotland with the highest density of prehistoric and early-historic monuments per square mile in the whole of the United Kingdom of Great Britain & Northern Ireland.
Nectan and Cruithne
It is interesting that with so many stone circles that pre-dated the Picts that they did not adopt these ready hoardings for endorsing with their Symbols - or did they? The conjoined circles, zeds, and arcs have graphic and geometric discipline which seem to point a message of tribe or territory. In addition to familiar animals we have heraldic beasts - Elephantine shapes, Seals, and Dolphins morph into each other. Serpents or Adders twine around gusseted right-angles and Zeds. Conjoined Concentric Circles, Half Zeds or Vees with arcs, Puzzle protrusions or notches, Disks and or mirrors look like their modern replicas and the presence of combs would indicate fine skills in bone but why record such a painstaking addition to a Marker Stone. Female vanity respected, recorded and women revered as the obvious source of life? A new generation of Pictii are abroad in our land adorning their flesh in similar manner with familiar and ornate exotic designs that invade areas of semi exposed and ever reducing areas of unadorned skin.
The class of archaeological remains, called sculptured stones. These are of 3 kinds: 1 those with incised symbols only, 2 those with in addition Celtic ornament carved in relief, and 3 monuments with Celtic ornament in relief and no symbols. The 1st class is the only one largely represented in Aberdeenshire and a good many representatives are in existence. The symbols most commonly seen are the
crescent and
sceptre, the
spectacles, the
mirror and
comb, and the so-called "
elephant" symbol, a representation of a beast with long jaws, a crest and scroll feet. Another is the serpent symbol. What the symbols signify is still a mystery, but the fact that the stones with symbolism are unusually common in what was known as
Northern Pictland seems to point to their being indigenous to that area. Out of
124 stones in the first class Aberdeenshire has
42.
It would seem as if the county had been the focus where the symbolism originated. The richness of the locality round
Kintore and
Inverurie in symbol stones is taken to indicate that region as the centre from which they radiated.
The Picardy Stone Inch Aberdeenshire one of the oldest Stones incised with the double disc and Z-rod, serpent and Z-rod and mirror symbols. The stone formerly stood on a small cairn containing a grave which illustrates the use of such stones as burial markers.
Ploughed up stone in
1978 at a farm Barflat, Rhynie. The
Gabbro stone measures 1.78m long and dates between
700 and 800AD. It has an incised figure of a man walking, an axe upon his shoulder and wearing some sort of sleeved garment extending to just above the knee and tied around the waist by cord. His shoes are pointed and he wears some sort of head dress. There are few
Pictish carved figures in Scotland and this is the earliest figure carving to date found in Grampian. It now stands in the foyer of
Regional Council Offices, Aberdeen.
The symbols used by the ancient
Picts, who lived in Scotland from AD
300-843, were an actual written language, rather than just symbology. What historians know of the Picts has so far been gleaned from the artefacts they left behind and via the writings of the people whom they had contact with, such as the Romans. But if the meaning of inscribed patterns and symbols on Pictish stones and slabs can be deciphered, the potential to learn more about ancient Scotland could be immense.
There are only a few 100 surviving Pictish stones and slabs. Some of them have symbols carved onto them like a relief. Christian motifs, such as a cross, can also be seen on a number of them. There are also several painted pebbles, whose patterns seem particularly perfunctory. Researchers have long grappled with the question of what they represent. Are they mere symbols? Or are they full-fledged texts (albeit un-deciphered) which communicate a written language?
A team of language experts, led by Professor Rob Lee of Exeter University, analysed how random the Pictish symbols are. If the symbols didn’t show evidence of any kind of order, then it would be unlikely that they represented a written language, but if the same symbols are being written in the same way over and over again, then there is a good chance that it does communicate written language.